Liquitex Soft Body Acrylic

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LIQUITEX SOFT BODY ACRYLIC 59ML PHTH BU(RD SHA deep intense blue single pigment color with a red undertone. It's made from the modern synthetic pigment phthalocyanine which was introduced in the 1930s and has a high tinting strength
C$13.99
LIQUITEX HEAVY BODY 32OZ UNBLEACHED TITANIUMAn opaque, warm creamy white containing a blend of pigments. The shade originated in the 1960s as the result of a manufacturing error when making titanium white paint,Opaque and lightfast.
C$35.00
LIQUITEX HEAVY BODY 32OZ YELLOW OXIDEA soft warm brownish yellow single pigment color. An earth pigment, it is one of the oldest colors used by mankind and is extremely permanent
C$35.00
LIQUITEX HEAVY BODY 32OZ RAW SIENNAA bright brown earth color with a yellow undertone and high opacity. Raw sienna is one of the oldest pigments in its natural state and can be found in prehistoric cave art. It is named after Siena, Italy where the pigmen
C$45.00
LIQUITEX SOFT BODY ACRYLIC 59ML LT PORTRT PNKA pale and soft pink with a yellow tinge. This is an opaque color made up of multiple pigments and pays homage to the pinks used by the portrait painters of the past
C$10.99
LIQUITEX SOFT BODY ACRYLIC 59ML CAD FR RED MDA cadmium-free opaque mid red-orange with high tinting strength. This replicates the brightness, coverage and intensity of traditional Cadmium Red Medium
C$22.99
LIQUITEX SOFT BODY ACRYLIC 59ML VIVID LIM GRNA light and vivid yellow-green opaque color, made up of a blend of pigments including phthalocyanine
C$10.99
LIQUITEX SOFT BODY ACRYLIC 59ML CAD FR RED LTA cadmium-free opaque light red with orange tones and a high tinting strength. This replicates the brightness, coverage and intensity of traditional Cadmium Red Light
C$22.99
LIQUITEX SOFT BODY ACRYLIC 59ML Hansa Yellow LightThis is a single pigment arylide yellow, first introduced in 1928 by the German company Hoechst. Hansa is the original trade name that the company gave its arylide yellows when they were launched
C$10.99
LIQUITEX SOFT BODY ACRYLIC 59ML RAW SIENNAA bright brown earth color with a yellow undertone and high opacity. Raw sienna is one of the oldest pigments in its natural state and can be found in prehistoric cave art. It is named after Siena, Italy where th
C$10.99
LIQUITEX SOFT BODY ACRYLIC 59ML CAD FR YLW LTA cadmium-free bright yellow opaque color with excellent tinting properties. This replicates the brightness, coverage and intensity of the traditional cadmium alternative
C$16.99
LIQUITEX SOFT BODY ACRYLIC 59ML MUTED PINKAn opaque deep rose pink made with a blend of pigments - benzimidazolone orange, quinacridone red and dioxazine purple
C$16.99
LIQUITEX SOFT BODY ACRYLIC 59ML SAP GRN PERMA rich mid-range green with a yellow undertone. Originally Sap Green was a lake pigment made from unripe buckthorn berries
C$13.99
LIQUITEX SOFT BODY ACRYLIC 59ML GRN GOLDA transparent rich gold yellow single pigment color with a green tone
C$21.99
LIQUITEX SOFT BODY ACRYLIC 59ML COBALT BU HUEA bright blue with green undertones. It is a careful combination of pigments closely resembling genuine cerulean blue
C$10.99
LIQUITEX SOFT BODY ACRYLIC 59ML Azo Yellow MediumA single pigment semi-opaque warm yellow with a reddish tint. The azo pigment is a synthetic organic originally developed by the German Hoechst company in the early 1900s and first became popular as a text
C$13.99
LIQUITEX SOFT BODY ACRYLIC 59ML BRLLNT YLW GNA pale green-yellow semi-opaque color, made up of four pigments - phthalocyanine, two types of hansa yellow and titanium white
C$10.99
LIQUITEX SOFT BODY ACRYLIC 59ML MUTED GRNAn opaque deep green made of three pigments - phthalocyanine blue (blue green shade), dioxazine purple and arylide yellow
C$16.99
LIQUITEX SOFT BODY ACRYLIC 59ML PHTH BU(GN SHProfessional Quality Acrylic Paint available from Endeavours in Fredericton, NB, Canada
C$10.99
LIQUITEX SOFT BODY ACRYLIC 59ML YLW OXIDEA soft warm brownish yellow single pigment color. An earth pigment, it is one of the oldest colors used by mankind and is extremely permanent
C$10.99
LIQUITEX SOFT BODY ACRYLIC 59ML ULTR BU(RD SDA single pigment rich transparent blue with red undertones. Allegedly named because it was thought 'bluer than the sea', ultramarine was originally made from semi-precious lapis lazuli. The current pigment was
C$10.99
LIQUITEX SOFT BODY ACRYLIC 59ML RAW UMBERAn intensely rich dark brown single pigment color, with a high opacity. Raw umber is made from natural brown clays found in the earth and is named after Umbria, a region in Italy where it was first mined
C$10.99
LIQUITEX SOFT BODY ACRYLIC 59ML COBALT TEALA single pigment opaque bright blue green, named after the semi-precious stone that was exported to Europe from Persia via Turkey
C$21.99
LIQUITEX SOFT BODY ACRYLIC 59ML QUIN REDA vivid mid-red single pigment color which is highly transparent. Quinacridone is a high performance organic pigment with exceptional longevity
C$16.99
 

If you thought Soft Body was just a watered-down Heavy Body, you'd be wrong. This flowing low viscosity formula was in fact created first and actually gives triple the coverage area of Heavy Body. The two paints have compatible binders and pack the same high pigment load. But if you thin Heavy Body with water or mediums, you reduce concentration and get noticeably weaker colors. Paint feel, performance and stability are also impacted, so choose the right consistency of paint for the job.

Check out these how to guides:

Create your own acrylic skins: Learning to Blend with Liquitex Soft Body:

For smooth puddles and pools of color, graphic stripes, otherworldly effects and wet-look drips, you'll want to try pouring. To get a strong, flawless body of paint, use our Professional Pouring Medium with Liquitex Soft Body Acrylic colors. Here’s your guide:

DIRECTIONS

  • Mix one heaped tablespoon of Soft Body Acrylic with one cup of Liquitex Pouring Medium in a large bucket or bowl
  • Use a palette knife to gently and smoothly mix the color and medium - blend gently to avoid making bubbles and let it sit for 10 minutes for any to disappear
  • Using a funnel, take the mixture and pour it into a squeeze bottle or the applicator of your choice - pitchers or tubes can be used for a variety of effects
  • If you're mixing a custom color, do it before adding to the medium, to ensure color uniformity in the pour
  • Place your surface on a level work table and pour the mixture directly onto it in the style of your choice
  • Always work with a level surface to avoid uneven results and surface tearing
  • If your space is prone to dust, cover your work with a big cardboard box or similar, to stop airborne particles settling on the surface and damaging the perfect, super glossy finish
  • Pour evenly over the surface, allowing at least one day of dry time. Two days is recommended for thicker paint films

TIPS

 
 
  • Create multicolored compositions in one session, by prepping several colors together. Apply the next color directly after the first pour to achieve sharp dots or concentric circles
  • Using a palette knife or fork, drag and blend multiple colors across the surface for a marbled effect
  • Turning the support on its side creates thin drips. Play with the movement so that the paint runs down the surface for free-flowing effects
  • Apply additional coats over set layering for interesting color build-up effects
  • For sculptural applications, create an acrylic skin by pouring onto a glass surface - treat the surface with a mold release or quick release spray for easy removal when dry. Peel off carefully when fully dry; then sew, glue, hang or roll for different sculptural effects
  • Do not mix water into Pouring Medium as you will weaken the acrylic strength
ESSENTIALS
  • Liquitex Pouring Medium + Soft Body Acrylic - the optimum combination
  • Measuring cup and spoon - to get the correct ratio
  • Large container and palette knife - to mix in
  • Funnel - for pouring into vessel
  • Squeeze bottles or pouring cups - for application
  • Surface - ie stretched canvas, board, paper or glass
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