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    • Sennelier Watercolour No. 565 French Ochre Series 3

      Sennelier Watercolour No. 565 French Ochre Series 3

      C$18.77

      Sennelier French Artists' Watercolors offer a bright and lively palette in the tradition of French Impressionists. Featuring brilliant colors, including 50 single pigment colors (many unique to Sennelier), the colors evoke the beauty of Southern France.

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        PRODUCT DESCRIPTION

        Pigment Information

        This color contains the following pigments:
        PBr23-Van Dyke Brown
        PY3-Hansa Yellow 10G
        PBr7-Raw Umber
        PY150-Nickel Azo Yellow
        Pigment Name
        PBr23-Van Dyke Brown
        Pigment Type
        organic, disazo
        Chemical Formula
        Properties
        Permanence
        Toxicity
        History
        This organic pigment has been called Van Dyke Brown because it is so similar to the brown used by Flemish painter Anthony van Dyck, although it is in fact a modern synthetic pigment. In addition to its use in art, it has been used as a pigment for coloring plastics and synthetic fibers.
        Pigment Name
        PY3-Hansa Yellow 10G
        Pigment Type
        organic, monoazo
        Chemical Formula
        C16H12CL2N4O2
        Properties
        This Hansa yellow is a transparent yellow. It has great brightness and tinting strength and its drying time ranges from average to slow. Hansa Yellow makes more intense tints and cleaner secondaries than Cadmium Yellows, especially when mixed with other organic or modern colors like Phthalo Blue and Green. Because they are more transparent, they have great value as glazing colors.
        Permanence
        This Hansa Yellow has fair to good permanence, particularly in the lighter shades.
        Toxicity
        Hansa Yellow has no significant acute hazards, though its chronic hazards have not been well studied.
        History
        Hansa Yellows were first made in Germany just before WW1 from a series of synthetic dyestuffs called Pigment Yellow. They were intended to be a synthetic replacement for Cadmium Yellow.
        Pigment Name
        PBr7-Raw Umber
        Pigment Type
        earth
        Chemical Name
        hydrated iron oxide
        Chemical Formula
        α-FeO3+(OH) or Fe2O3 × MnO2
        Properties
        Raw Umber is a cool, transparent brown ranging from yellowish brown to greenish brown. It has surprisingly good tinting strength, a high level of opacity, mixes well with greens, and is quick drying in oil form. It has excellent color properties and can create a variety of subtle, clear tints when mixed with white. It grays when mixed with blue and white. Raw Umber can tend towards chalkiness in dark mixes in oil form.
        Permanence
        Raw Umber has excellent permanence.
        Toxicity
        Raw Umber itself is considered non-toxic. If contaminated by manganese compounds, it may be highly toxic if inhaled and moderately toxic if ingested.
        History
        This pigment gets its name from the Latin word umbra, meaning shadow or shade. Its full name is listed as terra di ombra, meaning earth of shadow/shade, due to its original extraction from the area of Umbria, Italy. It has been used as a pigment since prehistoric times. Currently, the finest umber comes from Cyprus.
        Pigment Name
        PY150-Nickel Azo Yellow
        Pigment Type
        inorganic
        Chemical Name
        nickel azomethine yellow
        Chemical Formula
        C30H18Cl2N6NiO4
        Properties
        Nickel Azo Yellow is a transparent, moderately staining yellow pigment with high tinting strength. It is considered a good color match in botanical and landscape painting for natural gamboge (NY24), a historic yellow pigment with fair to poor lightfastness.
        Permanence
        Nickel azomethine yellow has excellent lightfastness.
        Toxicity
        Nickel azo yellow pigment is mildly toxic, and is often labeled as hazardous. Avoid respiratory and skin exposure to pigment dust. It should be disposed of properly with other hazardous wastes, not washed down the sink. However, the contribution of artist
        History
        Nickel azomethine yellow has been developed as an artist pigment becasue it is a close match for gamboge, a historic yellow.

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