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    • Sennelier Watercolour No. 911 Cobalt Violet Light Hue Series 2

      Sennelier Watercolour No. 911 Cobalt Violet Light Hue Series 2

      C$17.55

      Sennelier French Artists' Watercolors offer a bright and lively palette in the tradition of French Impressionists. Featuring brilliant colors, including 50 single pigment colors (many unique to Sennelier), the colors evoke the beauty of Southern France.

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        PRODUCT DESCRIPTION

        Pigment Information

        This color contains the following pigments:
        PR122-Quinacridone Magenta
        PV16-Manganese Violet
        PW6-Titanium White
        Pigment Name
        PR122-Quinacridone Magenta
        Pigment Type
        organic, quinacridone
        Chemical Formula
        C22H16N2O2
        Properties
        Quinacridone Magenta is a semi-transparent and powerful bluish red with an impressive mixing range. It makes an excellent glazing color and is one of the bluest of the Quinacridone colors. The pigment's properties vary considerably, depending on how it is ground. Quinacridone pigments have relatively low tinting strength in general. For this reason, quinacridone colors are often expensive, because more pigment is required in the formulation.
        Permanence
        Quinacridone Magenta offers very good lightfastness in most media, but some have argued that it is less lightfast in watercolor form. Although Quinacridone Magenta received only a passing grade of "fair" under ASTM test protocols, other test results have rated the pigment very good to excellent. Transparent reddish violet pigments in general have more problems with lightfastness than any other range of colors. PR122 is often used as the Magenta of CMYK (four color) process printing because it offers a better tradeoff between tinting strength and lightfastness than other pigments in its class.
        Toxicity
        Quinacridone Magenta has no acute hazards. Overexposure to quinacridone pigments may cause skin irritation. Quinicridone pigments contain a compound found to be a skin, eye, and respiratory irritant.
        History
        Quinacridone Magenta came from a red violet aniline dye that was first produced in 1858 by Natanson. It was called Magenta to commemorate a battle in Magenta, Italy. Over time, Magenta became the standard color name for a deep, violet red. Although quinacridone compounds became known in the late 19th century, methods of manufacturing so as to make them practical for use as commercial pigments did not begin until the 1950s. PR122 has become particularly popular in the formulation of Magenta for CMYK process printing.
        Pigment Name
        PV16-Manganese Violet
        Pigment Type
        inorganic
        Chemical Name
        manganese ammonium pyrophosphate
        Chemical Formula
        (NH4)2Mn2(P2O7)2 - Mn3(PO4)2 * 3H2O or H4O7P2H3NMn
        Properties
        Manganese Violet is a semi-transparent, bluish-violet pigment with a discrete opacity and low tinting strength. It is the reddest of the violets, and it covers well. It also performs well in watercolor. Manganese Violet is not well suited for fresco or acrylic painting. There can be significant differences in color across brands. It shares similar properties with bluish shades of Cobalt Violet.
        Permanence
        Manganese Violet has excellent permanence and lightfastness, and it is one of the most lightfast, balanced violets in watercolor form.
        Toxicity
        Manganese Violet is highly toxic if inhaled and moderately toxic if ingested.
        History
        This pigment was developed in 1868 by E. Leykauf to replace the more expensive Cobalt Violet. It was not offered as an artists’ pigment until 1890.
        Pigment Name
        PW6-Titanium White
        Pigment Type
        inorganic
        Chemical Name
        titanium dioxide
        Chemical Formula
        TiO2
        Properties
        Titanium White is the most brilliant of the white pigments. It is considered an all purpose oil color useful in all techniques and the best all around white. Its masstone is neither warm nor cool, placing it somewhere between Lead White and Zinc White. It is less prone to cracking and yellowing than Lead White, but it still yellows easily. Titanium White dries slowly in oil form, more slowly than Lead White but more quickly than Zinc White. It is opaque in oil and acrylic forms and semi-opaque in watercolor form. This pigment has good chemical stability, and its tinting strength is superior to both Lead White and Zinc White.
        Permanence
        Titanium White has excellent permanence and lightfastness.
        Toxicity
        Titanium dioxide is highly stable and is regarded as completely non-toxic. Animal studies give no indiciation that it is absorbed biologically, even after long periods of exposure. The primary safety concern is with inhalation of fine pigment dust particl
        History
        Titanium is the ninth most abundant element in the Earth's crust, however mineral deposits that are economical to mine are less common. Titanium dioxide was first discovered in 1821, although it could not be mass produced until 1919. Widespread use of the pigment began in the 1940s. Since that time, it has become the most commonly used white pigment. The name comes from the Latin word Titan, the name for the elder brother of Kronos and ancestor of the Titans, and from the Greek word tito, meaning day or sun.

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